Do not know why he took down the rundown of his gear on his old blog, but I only recently found out that the tremendous Louis CK is a Leica shooter. Hope he doesn’t mind me repurposing his post and an article excerpt, but it is fantastic. He’s not just a Leica fetishist like some well-known celebs, but a real film nerd.
Seriously. His stock just rises and rises.
I take a lot of pictures. I am very, very into photography and I was certainly going to take this opportunity to take some. I’m going to show you all the equipment I brought with me. I’m not showing off here. I’m not rich. I just spend all my money on cameras. It’s important to me. I am sharing it with you because to me it’s part of the story.
This is the main dude. A film camera. A range-finder. I only really shoot film, though I do use a digital camera just to record moments, to take snapshots. This Leica is handmade in Germany. It is encased in painted brass and has all mechanical parts. It has no automatic settings. There is a light meter but the battery was dead when I brought it on this trip so I shot the entire trip manually with a hand light meter. The Leica MP is made exactly the same way Leica made Rangefinders in the 60s. It’s not even an SLR. you have to line up images in the rangefinder and hope for the best.
The main reason to use a Leica is the lenses. Leica lenses are hand ground and they just do amazing things with images applied to film. I really love shooting film because there are an infinite ammount of combinations aof types of film (black and white, color, fast, slow, grainy, fine, high contrast, low), ways of exposing the film (pushing, pulling, over-exposing) and lenses to use. Small adjustments to the exposure, like changing the apeture, make dramatic differences from one picture to the next. Shooting without an in-camera light meter forces you to really look at the light you are shooting with, to notice when it changes and to think about what each apeture means and how it will effect your picture. Having prime lenses means you work with one focal length at a time and think and learn about the different characteristics and strengths of each lens and instead of zooming in and out you use your legs and body to frame the photo, which makes you do it more carefully. Comparing this to most digital photography, where you just sort of pump the lens back and forth till you get the framing you want, and snap, letting the camera decide how to expose it. Even with manual and more proffesional digital cameras, the sensors of these cameras are what they are. Theyr’e very limited and you can use photoshop later but it just ain’t the same. Not in my opinion. It’s just my opinion so save your long comments in defense of digital photography. Or don’t. I don’t care.
As I just mentioned, I only use prime lenses, meaning the lens has one size, fixed. It doesn’t zoom. If you want another focal length, you have to change the lens. I brought three lenses with me. The one on the camera is a 50mm Sumilux. It opens to f1.4 which makes it very good for low light and takes incredible daylight pictures when wide open, because of the extremely low depth of field, meaning only the object you focus on is in focus,the enviroment around it is not and the way a Leica Lens treats that area is part of what makes them great.
The other two lenses were an old 90mm lens and a new 35mm aspherical lens. Aspherical means it’s not roundish and so you can take a wide angle picture without getting a distorted rounded image.
This is the light meter I brought, very basic..
Seconic light meter
The last thing I want to say is that Leica cameras are stupid expensive. even really old ones. But you don’t need one to take film pictures. You can get an amazingly good Nikon SLR, (I reccomend the FM2) and good Nikon lenses for very cheap.
– Louis CK