Articles Tagged with: Leica M6 TTL 0.58
The Met

I love museums. Architecture for most means fixating on the outer form of a building. For me the quality of the interior space defined by this form is paramount.

These spaces can be such quiet mazes, winding through somber, reflective rooms.

the metropolitan museum of art

The Metropolitan Museum of Art © Doug Kim


Graflex Speed Graphic

Walking the streets in New York, you see a lot of cameras: iPhones, point and shoots, prosumer Nikons and Canons. I saw a Rollei in the Flatiron on Wednesday and last weekend in Harlem, I saw a girl with a Contax 645 on the street.

The best sighting so far has to be Louis and his workhorse Graflex Speed Graphic. This was taken outside of the Strand on Broadway where you can find him on some weekends. Go talk to him, admire his beast and get your photo taken.

louis

Louis, taken with a Leica M6 TTL, 35mm summicron © Doug Kim


The Yangers

Stephanie and Selena are identical twins in San Francisco. When I shot them, we had grand plans for a few locations, several wardrobe changes and a couple of different looks and feels. We had so much fun in their apartment that we never even made it out. I could spend a year shooting them.

Taken with a Leica M6 TTL 0.58, 35 summicron and Mamiya Pro II 67, and Tri-X.

Stephanie and Selena

Stephanie and Selena or Selena and Stephanie © Doug Kim

yangers02

© Doug Kim

yangers04

© Doug Kim


Soweto

Last October, I was on a working gig in South Africa. My friend Steve and I were able to visit Soweto but we could only spend a few hours there because of our schedule. Soweto is an amazing organic sprawl, a self-contained megalopolis of corrugated metal and dirt. The line between documentation and exploitation is very fine and as rich as the imagery was there, I chose to take only a few photos. I was able to speak enough Zulu to make people laugh at me which helped break the ice, but many spoke English or Afrikaans so it was easy enough to communicate.

Steve and I had a great lunch there, in one of the upscale neighborhoods in the hills: oxtail soup and pap. I can still remember sitting there looking at the empty bowl, clutching the spoon, wishing for just one more scoop.

soweto

shot with a Nikon D800 and the 80-200mm f2.8 © Doug Kim

shot with Leica M6 TTL 0.58, 35mm summicron, Tri-x

shot with Leica M6 TTL 0.58, 35mm summicron, Tri-x © Doug Kim

shot with Leica M6 TTL 0.58, 35mm summicron, Tri-x

shot with Leica M6 TTL 0.58, 35mm summicron, Tri-x © Doug Kim

shot with Nikon D300, 35-70mm

shot with Nikon D800, 35-70mm © Doug Kim


One Way to Shower at NASCAR

After four days at Phoenix International Raceway for the fall NASCAR race in October 2008, John Z. decided to shower on our last morning there. Only fools would bother with the showers that were a hundred yards away.

showering with your boots on

showering with your boots on © Doug Kim


How to Take a Photo When You Drop Your Leica

I was killing time a few weeks ago in the West Village, waiting to meet a friend for a late brunch at Philip Marie. I stood up from my park bench and my shiny, unblemished chrome Leica M6 .TTL 0.58 and the similarly pristine chrome 35 summicron lens attached to the body, fell out of my Domke bag and tumbled towards the pavement. Thinking quickly, I stuck my foot out to cushion the fall of my precious, shiny Leica.

I flicked my foot out so quickly that I managed to catch the M6 on my shoe, only to kick it an additional three feet or so in the air. The sound of a Leica, with all of its heavy soft brass, hitting concrete is one of the most expensive sounds I have ever heard.

When I picked up the dinged and now thickly focusing lens, I noticed that a frame had been exposed. The photo my left foot took is below:

I can expose film with my foot

I can expose film with my foot © Doug Kim