Articles Tagged with: Joel Meyerowitz
Joel Meyerowitz | Black & White Work
Wyoming, 1964 © Joel Meyerowitz

Wyoming, 1964 © Joel Meyerowitz

The best way is to look at the ‘old guys’ like Brassaï and Atget. The street teaches you to act quickly when you see something. If you don’t, you miss it!

– Joel Meyerowitz

Malaga, Spain, 1967 © Joel Meyerowitz

Malaga, Spain, 1967 © Joel Meyerowitz

Time Square, 1965 © Joel Meyerowitz

Time Square, 1965 © Joel Meyerowitz

Pool in Southwest, 1971 © Joel Meyerowitz

Pool in Southwest, 1971 © Joel Meyerowitz

Central Park, 1965 © Joel Meyerowitz

Central Park, 1965 © Joel Meyerowitz

Speaking of his mentor, Robert Frank:

He was a real loner. Sometimes when I ran into him he would send me away.

– Joel Meyerowitz

New York City, Times Square, 1963 © Joel Meyerowitz

New York City, Times Square, 1963 © Joel Meyerowitz

New York City, 1962 © Joel Meyerowitz

New York City, 1962 © Joel Meyerowitz

Christmas at Kennedy Airport, 1968 © Joel Meyerowitz

Christmas at Kennedy Airport, 1968 © Joel Meyerowitz


Joel Meyerowitz | Taking My Time

Joel Meyerowitz has had a retrospective published in 2012 by Phaidon in conjunction with a traveling exhibit of his work.

For more on his book, click here.

From Le Journal de la Photographie:

His 1962 encounter with Robert Frank encouraged him to walk through the streets of New York with a 35 mm camera and a color film. His first book “Cape Light“ is considered a classic of color photography and features some of his most famous pictures, in which he explores the variations of colors when in contact with light.

He shoots with both a 35 mm camera and a large format Deardorff 20×25. Few photographers are capable of working in these formats, the two being quite different languages. One is able to capture the decisive instant with a 35 mm camera; while the large format camera reveals the beauty of reality thanks to the long exposure.

New York City © Joel Meyerowitz

New York City © Joel Meyerowitz

Paris, 1976 © Joel Meyerowitz

Paris, 1976 © Joel Meyerowitz

Paris, 1976 © Joel Meyerowitz

Paris, 1976 © Joel Meyerowitz

 

 

A young man lies on the sidewalk with his arms outstretched. A workman with a hammer casually steps over his fallen body. A crowd stands at the entrance to the métro, stunned by curiosity into inaction. A cyclist and a pedestrian each turn over their shoulders to catch a last glimpse, while around them the traffic glides by. Which is the greater drama of life in the city: the fictitious clash between two figures that is implied, or the indifference of the one to the other that is actual? A photograph allows such contradictions to exist in everyday life; more than that, it encourages them. Photography is about being exquisitely present.

-Joel Meyerowitz

Roseville Cottages, Truro, Massachusetts, 1976 © Joel Meyerowitz

Roseville Cottages, Truro, Massachusetts, 1976 © Joel Meyerowitz

Smoke in rising sunlight, New York City, 2001 © Joel Meyerowitz

Smoke in rising sunlight, New York City, 2001 © Joel Meyerowitz

Young Girl, Cape Cod, 1979 © Joel Meyerowitz

Young Girl, Cape Cod, 1979 © Joel Meyerowitz

5th Avenue,1975 © Joel Meyerowitz

5th Avenue,1975 © Joel Meyerowitz

Florida, 1968 © Joel Meyerowitz

Florida, 1968 © Joel Meyerowitz

New York City, 1963 © Joel Meyerowitz

New York City, 1963 © Joel Meyerowitz

New York City, 1963 © Joel Meyerowitz

New York City, 1963 © Joel Meyerowitz

Bulgaria, 1967 © Joel Meyerowitz

Bulgaria, 1967 © Joel Meyerowitz

Butte, Montana, 1964 © Joel Meyerowitz

Butte, Montana, 1964 © Joel Meyerowitz

New York City, 1963 © Joel Meyerowitz

New York City, 1963 © Joel Meyerowitz