Peter Lindbergh | Milla Jovovitch
Posted: January 15th, 2012 | Author: doug | Filed under: PhotographyTags: Fashion, Italian Vogue, Milla Jovovitch, New York City, Paris, Peter Lindbergh, Vogue, Women | 1 Comment »

Fall Fashion Revue, 1947. © Philippe Halsman / Magnum Photos
Mario Testino’s monograph / testimonial to Kate Moss was released in September 2010 in a limited run of 1,500 signed copies, each going for $2,000.
I met Kate very early on. Shortly after her first Galliano show I went backstage to congratulate her, only to find her crying: she was disappointed that she had only been given one outfit to model in the show. My answer to her was this: ‘In life there are perfumes and colognes. You need to use lots of cologne as the scent fades away; with a perfume you just use a drop and it lasts all night. You are a perfume, you will go on and on.’ Little did I know just how true that would become! And that I had made a friend for life.
- Mario Testino
I thought it was on a shoot for French Glamour [that Mario and I first met], but he always says it was when I did a John Galliano show and I was crying on the steps or something.
- Kate Moss
Mario took me to a new level of glamour. I don’t think anybody had seen me as any kind of sexy model before he did. He was the one that transformed me. Before him I was just a grungy girl, but he saw me differently. He was the first to say ‘Oh, she’s quite sexy. I’ve seen her out! I know she’s not just that grungy girl.’ He’d seen me in a pair of heels, getting glamorous – and he was the first to start taking pictures of me in that way. He changed the way people thought about me as a model, for sure. Later other people started working with me in that way, but he was the first.
- Kate Moss
She lives more fully than anyone else I know.
- Mario Testino
This is just a couple of months ago. We were doing photos and we were hungry, so she made an omelette. She’s quick at making an omelette! It was a moment. Kate’s very loose with her body – not in a negative way, but in a comfortable way. I come from Peru and had a Catholic upbringing. I wasn’t raised to be comfortable with nudity. British people are a funny mix. They pretend to be prudish but they can be pretty decadent – as long as you close enough doors. I guess Kate doesn’t need the closed doors. She’s just free. It’s her nature.
- Mario Testino
This is not the picture I was meant to do, it’s an in-between picture. We were doing shoot and I said: ‘All right I’ve got it’, and shy threw herself back on the bed, my paparazzi side came out – and this is the picture. It’s a relaxing shot between striking the pose. It’s where you get to see our relationship, where it’s not the magazine, or the editorial. It’s about us. Kate’s confidence is magical because it’s full of insecurities – she’s very frail. Even when she’s trying to be most sexy grown –up, the childishness in her always come out. I feel very protective towards her.
- Mario Testino
I have never laughed so much in my whole life as with Mario on shoots. Sometimes we know we have to stop but we just can’t, we can’t even look at each other.
- Kate Moss
I guess back when we met I did not realize she would become an icon of the ‘now’ for so many people. All I could see or feel was an attraction to someone a lot younger than me.
- Mario Testino
… and I like the pictures [in this book] of me and Lila too. At the time they were taken, she was really young, and I didn’t want the press intruding on her, they were too private… but now the pictures are nostalgic for me.
- Kate Moss
We have been trying to work out exactly where this party is [the image below]. I think it is in New York, but it could be London or Cannes. It’s a long time ago, but I know this face so well – you know, with the mouth wide open when you scream hello. I’ve know Kate for over 20 years (our first job was for France Glamour when she was only 15) and the friendship I share with her is very intense. It’s different sort of friendship. It’s not like I see her every weekend, or we go out every night, but when we see each other. It’s always the same. This image encapsulates how I see Kate. It’s totally her. She’s so at ease. That’s the side I like. I like her sexy, and I her different, but many of those sides are a front. This is the reality.
- Mario Testino
In the press people say “oh, there she is… she’s out again”, and they don’t see me getting up and going to work every day. They just print pictures of me coming out of a party or whatever… I’ve worked hard for 20 years and I’m still working now! The book has a really good balance of work and play and shows that the fashion industry is not the completely vicious place it is so often made out to be. I don’t think it is at all.
- Kate Moss
This was taken in my office while doing a story for Italian vogue. I wanted to bring Kate into my world and photograph her in a way that redressed her, so we decided to do the shoot using the portrait on my book. I carried on taking pictures after we had finished and this is one of those. The picture she is holding was the poster for my exhibition at the National Portrait Gallery. It’s become quite an iconic picture for us, because the exhibition has travelled all over the word and she has always been the face of the show. I thought it was cute to do her quite real, in this way, but with this face.
- Mario Testino
This was shot at the Royal Opera House for American vogue. It didn’t appear in the magazine, we just did it for a laugh. Kate was asking: ‘How would I have been if I was a dancer? With the tutu and a crown on? She’s so sweet like that ,no? She is you all- time English girl, I love her because she doesn’t come from money. She comes from a very normal background. I’ve always found that’s made her quite balanced. And as much as I can appreciate her style and her beauty, the thing that has made our relationship is her sense of humor. We laugh a lot. All the time. That is our relationship, I guess.
- Mario Testino
Paul Jasmin, a Los Angeles based photographer and instructor at Pasadena’s Art Center, has a new book out, California Dreaming.
Many of the photographs have been shot in and around my apartment on Wilshire Blvd. A lot of them where done just a bit more than one year ago, especially for the book. So most of the images are from the last two years.
- Paul Jasmin
The older I get, the more I realize that it´s all about dreams. That´s why I like California – it´s all about dreaming. Especially when your young, it´s the dream that keeps you going. That´s what I enjoy taking pictures of, these young people, dreamers, striving to become an actor, a model or an artist. Many of the images in the book are of kids of friends.
- Paul Jasmin
All my images are from a movie in one way or another. It´s a sort of romanticism. They reflects alot of me in that age – I was born in Montana but I wanted to go to Hollywod and become an actor.
- Paul Jasmin
That is what I inherited from my father, doing what I like and integrating that into long term projects, regardless of the medium. Like him, I don’t want to be in style, I want to hit where no one is expecting. It requires extreme self-discipline, and constant questioning.
- Sonia Sieff

Jump, Paris 1965 © Melvin Sokolsky
View more of Melvin Sokolsky’s work here.
What happened to Sante?
13 years ago when his book A Private View came out, he was the shit, at the top of his game and the industry, gracing the covers of all the major magazines, shooting choice editorials with the top celebrities and models at the time.
I rarely see his name these days and the editorials I do see feature second-tier subjects. His work used to be so playful, sensual and light. There was a warmth in his portraits and a lushness in his black & white work. Some of the recent work that I’ve seen is flat and cold, and very anonymous.
Regardless, his book A Private View is a shooting diary of his work with some personal notes, outtakes, and lists of films shot. It is a book full of charm and beauty.

Kate Moss © Sante D'Orazio, A Private View

Kate Moss © Sante D'Orazio, A Private View

Kate Moss © Sante D'Orazio, A Private View

Christy Turlington © Sante D'Orazio, A Private View

Christy Turlington © Sante D'Orazio, A Private View

Christy Turlington © Sante D'Orazio, A Private View

Julian Schnabel © Sante D'Orazio, A Private View

Julian Schnabel © Sante D'Orazio, A Private View

Carla Bruni © Sante D'Orazio, A Private View
It is always the dress; it is never, never the girl. I’m just a good clothes hanger.
-Lisa Fonssagrives

Woman in Palace (Lisa Fonssagrives-Penn), Marrakech, Morocco © Irving Penn, 1951

Lisa Fonssagrives-Penn, February Vogue © Irving Penn, 1950

Lisa Fonssagrives-Penn © Irving Penn
Award presenters Audrey Hepburn and Grace Kelly waiting backstage at the RKO Pantages Theatre, during the 28th Annual Academy Awards, Life Magazine, March 21, 1956.
An amazing series of candids shot by the fashion photographer Tom Palumbo in Paris, 1962.
Images from Paris cafés and nightlife in 1962, the same week Yves St. Laurent’s runway show vaulted Dior to new heights.
Many scenes around Les Halles (which no longer exists as it did then).
-Tom Palumbo

Interlude, Tom Palumbo, Paris 1962

Eye Shadow, Tom Palumbo, Paris 1962

Pink Scarf, Cigarette, Tom Palumbo, Paris 1962

Model & Her Pet, Tom Palumbo, Paris 1962

A Perfect Pour, Tom Palumbo, Paris 1962

Gout de vin, Tom Palumbo, Paris 1962

Cheers, Tom Palumbo, Paris 1962

Kissing the Hand, Tom Palumbo, Paris 1962

Pout, Tom Palumbo, Paris 1962

Trapped, Tom Palumbo, Paris 1962

At the bar, Tom Palumbo, Paris 1962

Like Audrey, Tom Palumbo, Paris 1962

Powder, Tom Palumbo, Paris 1962

Cafe Flirting, Tom Palumbo, Paris 1962

Laughter & Cake, Tom Palumbo, Paris 1962

After Dinner, Tom Palumbo, Paris 1962

Young Lovers, Tom Palumbo, Paris 1962

Impulsive Kiss, Tom Palumbo, Paris 1962

Young Lovers Embrace, Tom Palumbo, Paris 1962

Bella, Tom Palumbo, Paris 1962

Bite, Tom Palumbo, Paris 1962

And the girls get drunk..., Tom Palumbo, Paris 1962

That time of night, Tom Palumbo, Paris 1962

Light, Tom Palumbo, Paris 1962
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