Articles Tagged with: Chicago
Henri Cartier-Bresson | America, Part One

Since his is fundamentally a tragic vision, he reacted most feelingly to what in America he saw as related to its decay, its pain.

-Arthur Miller, writing of the photographs that Cartier-Bresson took in America.

CHICAGO—The employment office, 1947.

CHICAGO—The employment office, 1947.

NEW ORLEANS—1947. © Henri Cartier-Bresson / Magnum Photos

NEW ORLEANS—1947. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—On the Lower East Side, 1947. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—On the Lower East Side, 1947. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—1947. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—1947. © Henri Cartier-Bresson / Magnum Photos

CAPE COD, Mass.—Independence Day, 1947. © Henri Cartier-Bresson / Magnum Photos

CAPE COD, Mass.—Independence Day, 1947. © Henri Cartier-Bresson / Magnum Photos

CAPE COD, Mass.—“This woman explained to me that the flagpole over her door was broken, but ‘on such a day as this, one keeps one’s flag on one’s heart.’ I felt in her a touch of the strength and robustness of the early American pioneers.”—Henri Cartier-Bresson, Independence Day, 1947. © Henri Cartier-Bresson / Magnum Photos

CAPE COD, Mass.—“This woman explained to me that the flagpole over her door was broken, but ‘on such a day as this, one keeps one’s flag on one’s heart.’ I felt in her a touch of the strength and robustness of the early American pioneers.”—Henri Cartier-Bresson, Independence Day, 1947. © Henri Cartier-Bresson / Magnum Photos

MASSACHUSETTS—Watching fireworks on July 4, 1947. © Henri Cartier-Bresson / Magnum Photos

MASSACHUSETTS—Watching fireworks on July 4, 1947. © Henri Cartier-Bresson / Magnum Photos

NEW YORK—Coney Island, 1946. © Henri Cartier-Bresson / Magnum Photos

NEW YORK—Coney Island, 1946. © Henri Cartier-Bresson / Magnum Photos

LOS ANGELES—1960. © Henri Cartier-Bresson / Magnum Photos

LOS ANGELES—1960. © Henri Cartier-Bresson / Magnum Photos

NEW MEXICO—At the Lama Foundation community, a father and two children pass in front of the kitchen, a stoutly built octagonal wood and glass structure (geodesic dome) with all the things a kitchen should have, plus a dining room above, 1971. © Henri Cartier-Bresson / Magnum Photos

NEW MEXICO—At the Lama Foundation community, a father and two children pass in front of the kitchen, a stoutly built octagonal wood and glass structure (geodesic dome) with all the things a kitchen should have, plus a dining room above, 1971. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—Easter Sunday in Harlem, 1947. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—Easter Sunday in Harlem, 1947. © Henri Cartier-Bresson / Magnum Photos

KNOXVILLE, Tenn.—1947. © Henri Cartier-Bresson / Magnum Photos

KNOXVILLE, Tenn.—1947. © Henri Cartier-Bresson / Magnum Photos

WASHINGTON, D.C.—At the Lincoln Memorial, a Pilgrimage for Freedom prayer session features singer Mahalia Jackson, 1957. © Henri Cartier-Bresson / Magnum Photos

WASHINGTON, D.C.—At the Lincoln Memorial, a Pilgrimage for Freedom prayer session features singer Mahalia Jackson, 1957. © Henri Cartier-Bresson / Magnum Photos

MICHIGAN—Football at Ann Arbor University, 1960.  © Henri Cartier-Bresson / Magnum Photos

MICHIGAN—Football at Ann Arbor University, 1960. © Henri Cartier-Bresson / Magnum Photos

ANN ARBOR, Mich.—A Michigan vs. Northwestern football game, Oct. 15, 1960. © Henri Cartier-Bresson / Magnum Photos

ANN ARBOR, Mich.—A Michigan vs. Northwestern football game, Oct. 15, 1960. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—1959. © Henri Cartier-Bresson / Magnum Photos

NEW YORK CITY—1959. © Henri Cartier-Bresson / Magnum Photos

New York, 1947, Henri Cartier-Bresson © Magnum Photos

New York, 1947, Henri Cartier-Bresson © Magnum Photos


Yasuhiro Ishimoto | Newspaper Photo

I have owned a book of Yasuhiro Ishimoto’s work by The Art Institute of Chicago for almost a decade now. I enjoy Ishimoto’s work and refer to it periodically. From his street shooting to his found still lifes or to his austere study of the Katsura Villa, Ishimoto jumps through these jarringly different genres with his signature delicate quiet touch intact.

Here is one of my favorite images of his which I believe does not have a title. It was taken in Chicago in Grant Park and as much as it appears to sum up the decisive moment of the street photographer, Ishimoto actually chased those sheets of newspaper for over an hour.

Untitled

Untitled, Yasuhiro Ishimoto