I.M. Pei | National Gallery of Art, East Wing

Posted: September 13th, 2009 | Author: | Filed under: Architecture, dougKIM photography, Film, Leica

I.M. Pei

I.M. Pei, Leica M6 TTL, 35mm summicron, Agfa APX © Doug Kim

This was taken a few years ago when I was wandering in the National Gallery’s East Wing in Washington, DC.

In front of a huge Mark Rothko was someone standing close to the painting, maybe inches away, his hands clasped behind his back. For some reason, I knew it was I.M. Pei, inside one of his best (and one of his favorite) creations, admiring a wall decoration on a wall he designed. I rushed up behind him to take a photo of this diminutive giant in front of this massive Rothko. I was too slow with my Leica (bastards!), and missed the shot.

I managed to take this photo soon after but I can still perfectly recall the image of him in front of that ten foot painting.

Bastards bastards bastards.


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Mad Men | Penn Station

Posted: August 28th, 2009 | Author: | Filed under: Architecture, Film, History, New York City, Photography, Quotes

This past Sunday, “Mad Men” (Season 3 Episode 2) referenced the venerable architecture critic Ada Louise Huxtable when Paul Kinsey and Pete Campbell were meeting with the developers of Madison Square Garden, discussing plans to knock down Penn Station.

It quotes Ms. Huxtable’s article in the New York Times from 1963 about Penn Station, called “How to Kill a City”. The New York Times has offered the full article in PDF to download and read here.

A eulogy in October of ’63 ran in the editorial section:

Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean. We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed.

- “Farewell to Penn Station,” New York Times, Oct 30, 1963

Comparing the old to the new, Vincent Scully of Yale University remarked,

One entered the city like a god. One scuttles in now like a rat.

The original Penn Station was a steel and glass shrine to transportation, an elegant Beaux-Arts temple with its 150 foot high ceilings and a waiting room modeled after the Roman Baths of Caracalla.

Now it is an underground Habitrail™, lit by yellowed fluorescents and flavored by the odors of Roy Rogers™ and Cinnabon™ stinking down the corridors. Excepting the mad scurry for Amtrak platforms after the track number has finally been revealed on the big board, it is an oppressive space completely without joy.

photographer unknown

photographer unknown

Couple in Penn Station Sharing Farewell Kiss Before He Ships Off to War During WWII by Alfred Eisenstaedt

Couple in Penn Station Sharing Farewell Kiss Before He Ships Off to War During WWII by Alfred Eisenstaedt

Life Magazine has posted an entire series by Eisenstaedt of WWII soldiers’ farewells at Penn Station here.

Penn Station, circa 1910, Detroit Publishing Company

Circa 1910, Detroit Publishing Company; click to view the full size image

photographer unknown

Berenice Abbott, printed ca. 1935

AP Photo/Matty Zimmerman

AP Photo/Matty Zimmerman

photograph by Peter Moore

Peter Moore; click to view full size

Peter Moore and his wife Barbara documented the death of Penn Station and published their work, The Destruction Of Penn Station.

photographer unknown

today

The only consolation is that Penn Station’s demolition was a large factor in the creation of the Landmarks Preservation Commission in 1965.


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The Met

Posted: April 22nd, 2009 | Author: | Filed under: Architecture, dougKIM photography, Film, Leica, New York City

I love museums. Architecture for most means fixating on the outer form of a building. For me the quality of the interior space defined by this form is paramount.

These spaces can be such quiet mazes, winding through somber, reflective rooms.

the metropolitan museum of art

The Metropolitan Museum of Art © Doug Kim


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