I was doing a play in Melbourne and George Miller’s girlfriend was at one of the showing. She suggested to George that I would be perfect for the role of Wez. I had no idea what the “Road Warrior” was about so George came down for a meeting and after about an hour of telling dirty jokes we both went on our way. A month later I get a call saying I got the part. I still had no idea what the film or the role was even about. It wasn’t until I had to go to Sydney for my costume fittings did I start to figure it out. Originally I had thought that I couldn’t do the role and was in my own way trying to get out of the role. Once I got the whole costume on George stood me in front of the mirror and I was scared shitless. After George doing that I figured I could probably do the role.
– Vernon Wells
Originally there had been a scene that explained I had raised the the boy on the back of my motorcycle, which would explain why I go mad when he is killed by the Feral Kid. However, in editing they felt the character played better without it, which would make everyone assume we were lovers. I respect what it did for my character, and because of Hosana, it wasn’t an issue for me if my character was gay, even if in my real life I am not.
– Vernon Wells
Probably the most insane thing I did was when I was on the back of the snake truck, with one foot on it and one foot on the tanker, crossing to climb onto the tanker, and the snake truck veered away from the tanker to avoid hitting it and I nearly became a wishbone! But alls well that ends well.
– Vernon Wells
The point of 35 mm photography for me is to remain unobserved, working with the available light, watching, waiting and looking, discovering pictures while a scene is in motion.
Stanley told me he didn’t understand actors. He had no actor friends — they were basically working associates, and he thought they were a little bit strange, totally spoiled and in most cases had to be begged to give him a decent performance. Half the time the actor would argue with him. Vince D’Onofrio didn’t like Stanley’s “craziness look.” He wanted to try it some other way. The problem with Vince was this was his first film, and he’s telling Stanley Kubrick how he thinks this look should be. They stand there arguing. Stanley finally said, “Look, do it my way and we’ll load back up and we’ll shoot it your way.” Well, when they shot it Vince’s way they didn’t have any film in the camera
– R. Lee Ermey
- Chiang Mai | Hill Tribe Area
- Bucharest | Gypsy Apartments
- Romania | The Shepherd
- Chiang Mai | The Chinese Monk
- Thailand | Chiang Mai
- Thailand | Chiang Rai
- Werner Herzog | On Celluloid
- Chiang Mai | Hmong Hill Tribe
- Chiang Mai | The Karen Hill Tribe
- Arthur C. Clarke | The HAL – IBM Myth
- Chiang Mai | Palong Hill Tribe
- Ridley Scott | Kubrick Footage in Blade Runner
- Chiang Mai | Longneck Hill Tribe
- Louis CK | Leica Shooting, USO Tour
- Chiang Mai | Akha Hill Tribe
- Born Yogis
- Chiang Mai
- dougKIM photography
- Los Angeles
- New York City
- San Francisco
- São Paulo
- Washington DC