Monthly Archives: September 2012
Oaxaca | Addendum
Slaughterhouse, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Slaughterhouse, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Saragosa, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Saragosa, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Billar, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Billar, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Billar, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Billar, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Saragosa, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Saragosa, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Xoxocotlián, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Xoxocotlián, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mitla, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mitla, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Xoxocotlián, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Xoxocotlián, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Xoxocotlián, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Xoxocotlián, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Zocalo, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Zocalo, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Zocalo, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Zocalo, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mitla, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mitla, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mitla, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mitla, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim


Oaxaca | Santiago Suchilquitongo, Part Two
Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Santiago Suchilquitongo, Oaxaca, Mexico; Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim


Oaxaca | Lázaro Cárdenas, Part Two
Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Lázaro Cárdenas, Oaxaca, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim


Venice | Muscle Beach

Going through the archives. Shot sometime in 2004. I think.

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim

Muscle Beach, Venice, California; Nikon F5, 35-70mm Nikkor, Agfa APX 400 © Doug Kim


Mexico | Rocky Point
Rocky Point, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Rocky Point, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Rocky Point, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Rocky Point, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Rocky Point, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Rocky Point, Mexico; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim


Kurosawa | Rashomon

In Rashomon, especially the wonderful camera moves in the second part as the woman tells her story and is sitting there and the camera is dwelling on her and goes back around her and the man, her husband, is continuously in a steady shot, and she’s always moving like this and like that with the knife. It’s so magnificent, some of the camera moves are so precise and so psychological, you know?

He’s emphasizing the character of the woman in such a magnificent way, slowly building up that she might have killed him. Which we don’t know, of course.

I mean it’s superb filmmaking and there’s nearly no example in the whole film industry where you can point out something so splendid.

– Paul Verhoeven

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Masayuki Mori and Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Masayuki Mori in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)

Machiko Kyô in Rashomon (1950)


Rockville | Mom & Pops
Mom & Pops, Rockville, Maryland; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mom & Pops, Rockville, Maryland; Leica MP 0.58, 35mm Summicron, Kodak Tri-X © Doug Kim

Mom & Pops, Rockville, Maryland; Leica MP 0.58, 35mm Summicron, Leica SF20 Flash, Kodak Tri-X © Doug Kim

Mom & Pops, Rockville, Maryland; Leica MP 0.58, 35mm Summicron, Leica SF20 Flash, Kodak Tri-X © Doug Kim

Mom & Pops, Rockville, Maryland; Leica MP 0.58, 35mm Summicron, Leica SF20 Flash, Kodak Tri-X © Doug Kim

Mom & Pops, Rockville, Maryland; Leica MP 0.58, 35mm Summicron, Leica SF20 Flash, Kodak Tri-X © Doug Kim


Raising Arizona | Hi’s Letter to Ed
Nicholas Cage in Raising Arizona (1987)

Nicholas Cage in Raising Arizona (1987)

My dearest Edwina,

Tonight, as you and Nathan slumber, my heart is filled with anguish. I hope that you will both understand and forgive me for what I have decided I must do. By the time you read this, I will be gone.

I will never be the man that you want me to be, the husband and father that you and Nathan deserve.

Maybe it’s my upbringing. Maybe it’s just that my genes got screwed up. I don’t know. But the events of the last day have showed amply that I don’t have the strength of character to raise up a family in a manner befitting a responsible adult.

I say all this to my shame.

I will love you always, truly and deeply. But I fear that if I stay, I would only bring bad trouble on the heads of you and Nathan Jr. I feel this thunder gathering even now. If I leave, hopefully, it will leave with me.

I cannot tarry. Better I should go, send you money, and let you curse my name.

Your loving –

Herbert

Randall 'Tex' Cobb in Raising Arizona (1987)

Randall ‘Tex’ Cobb in Raising Arizona (1987)

Raising Arizona (1987)

Raising Arizona (1987)