Add Comment

  • […] Flick's technique is the most inventive: He drove a car, taking photographs of the passing Los Angeles scenery at regular intervals, then organized the contact-print-sized images into rigid 10-by-10 grids. Some of the grids are cleverly constructed; one of Marina del Rey puts houses and beach in alternating columns, while another of Manhattan Beach follows each row uphill from the shore to a series of homes (bottom). A third, taken in Venice Beach on Labor Day weekend 1980, is sufficiently dynamic to suggest one of Garry Winogrand’s shoot-from-the-hip contact sheets. […]

Leave a Comment

Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Youtube
Consent to display content from - Youtube
Vimeo
Consent to display content from - Vimeo
Google Maps
Consent to display content from - Google