Monthly Archives: January 2011
John Malmin | Darkness Falls in Watts
The Watts Riots by John Malmin, Los Angeles Times August 13, 1965

The Watts Riots by John Malmin, Los Angeles Times August 13, 1965

From the Los Angeles Times:

Aug. 13, 1965: National Guard troops secure a stretch of 103rd Street, dubbed Charcoal Alley, in Watts to help Los Angeles authorities restore order. The riots, sparked by the arrest of a black motorist for drunk driving, lasted for six days. After the violence, 34 people, 25 of them black, were dead and more than 1,000 were injured.

Bob Hipolito, the guardsman on the left, later tells The Times, “I was at the tail end of our infantry company, and that guy [Times photographer John Malmin] came up with an entourage of officers. He snapped a picture, and it flashed. Flashes weren’t what they wanted to have for fear they’d be shot at.”

Hipolito continued: “I saw that picture years ago, and thought, ‘Gee, it looks familiar.’ And then I saw the photographer’s obituary that said where it was taken. So I asked my wife if that looks like me, and she said, ‘Yeah, that’s your posture.’ It was taken on Friday the 13th, probably at 11:30 or 12 at night.”


Brooklyn | RetroFret

An amazing and dangerous place to visit is RetroFret in the Gowanus neighborhood of Brooklyn. A used and vintage collection of stringed instruments, RetroFret is a museum, a retail space, a place to learn and an occasion to silently crunch numbers in your head in the corner as you figure out if you can really afford the five string handmade banjo that is cradled in your hands like a newborn.

Guitars, mandolins, banjos, electrics, flamenco, classical, violins, ukes, amps; they have it all. I learned so much in my hour long visit about the history of some instruments and was able to play a lap steel solid body Gibson, the first electric guitar.

Call and make an appointment today and leave your credit cards behind. They also offer repairs on guitars, violins and your church’s organ.

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

This was an early 70’s Ramirez, a flamenco blanca. I have played numerous Ramirez flamencos and as is true with this famous maker, you have to really search for the authentic gems amid all of their clunkers. All of the previous Ramirez’s in my hands were incredibly heavy and dead with a thick and boomy sound, so deep and ponderous.

The one pictured below was a dream. It had a rich, throaty and deep voice, sonorous and woody and dark. Playability was a dream and the guitar was incredibly light and responsive. We were putting the guitar down on the workbench to get the dental mirrors out to identify the particular luthier at Ramirez that had created this one.

I can still hear this blanca. And I did not buy it.

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim

Retrofret, Gowanus, Brooklyn; Nikon D300, 12-24mm Nikkor © Doug Kim


Betty Blowtorch 1998 | The Viper Room

Shot sometime in 1998 at the Viper Room, featuring the late great Bianca Halstead. The color images were shot on Kodak E200, a chrome film I was trying out at the time.

Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Kodak E200 © Doug Kim

Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Kodak E200 © Doug Kim


Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Kodak E200 © Doug Kim

Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Kodak E200 © Doug Kim


Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Agfa APX 400 © Doug Kim

Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Agfa APX 400 © Doug Kim


Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Agfa APX 400 © Doug Kim

Betty Blowtorch at the Viper Room, Los Angeles; Nikon F5, 28-70mm Nikkor, Agfa APX 400 © Doug Kim


NoHo | Wednesday

NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


Crosby Street, NoHo; Hipstamatic app on the iPhone © Doug Kim

Crosby Street, NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


NoHo; Hipstamatic app on the iPhone © Doug Kim

NoHo; Hipstamatic app on the iPhone © Doug Kim


Tom Palumbo | Paris 1962

An amazing series of candids shot by the fashion photographer Tom Palumbo in Paris, 1962.

Images from Paris cafés and nightlife in 1962, the same week Yves St. Laurent’s runway show vaulted Dior to new heights.

Many scenes around Les Halles (which no longer exists as it did then).

-Tom Palumbo

Interlude, Tom Palumbo, Paris 1962

Interlude, Tom Palumbo, Paris 1962

Eye Shadow, Tom Palumbo, Paris 1962

Eye Shadow, Tom Palumbo, Paris 1962

Pink Scarf, Cigarette, Tom Palumbo, Paris 1962

Pink Scarf, Cigarette, Tom Palumbo, Paris 1962

Model & Her Pet, Tom Palumbo, Paris 1962

Model & Her Pet, Tom Palumbo, Paris 1962

A Perfect Pour, Tom Palumbo, Paris 1962

A Perfect Pour, Tom Palumbo, Paris 1962

Gout de vin, Tom Palumbo, Paris 1962

Gout de vin, Tom Palumbo, Paris 1962

Cheers, Tom Palumbo, Paris 1962

Cheers, Tom Palumbo, Paris 1962

Kissing the Hand, Tom Palumbo, Paris 1962

Kissing the Hand, Tom Palumbo, Paris 1962

Pout, Tom Palumbo, Paris 1962

Pout, Tom Palumbo, Paris 1962

Trapped, Tom Palumbo, Paris 1962

Trapped, Tom Palumbo, Paris 1962

At the bar, Tom Palumbo, Paris 1962

At the bar, Tom Palumbo, Paris 1962

Like Audrey, Tom Palumbo, Paris 1962

Like Audrey, Tom Palumbo, Paris 1962

Powder, Tom Palumbo, Paris 1962

Powder, Tom Palumbo, Paris 1962

Cafe Flirting, Tom Palumbo, Paris 1962

Cafe Flirting, Tom Palumbo, Paris 1962

Laughter & Cake, Tom Palumbo, Paris 1962

Laughter & Cake, Tom Palumbo, Paris 1962

After Dinner, Tom Palumbo, Paris 1962

After Dinner, Tom Palumbo, Paris 1962

Young Lovers, Tom Palumbo, Paris 1962

Young Lovers, Tom Palumbo, Paris 1962

Impulsive Kiss, Tom Palumbo, Paris 1962

Impulsive Kiss, Tom Palumbo, Paris 1962

Young Lovers Embrace, Tom Palumbo, Paris 1962

Young Lovers Embrace, Tom Palumbo, Paris 1962

Bella, Tom Palumbo, Paris 1962

Bella, Tom Palumbo, Paris 1962

Bite, Tom Palumbo, Paris 1962

Bite, Tom Palumbo, Paris 1962

And the girls get drunk..., Tom Palumbo, Paris 1962

And the girls get drunk..., Tom Palumbo, Paris 1962

That time of night, Tom Palumbo, Paris 1962

That time of night, Tom Palumbo, Paris 1962

Light, Tom Palumbo, Paris 1962

Light, Tom Palumbo, Paris 1962