Ellen von Unwerth | Ana Beatriz Barros
Posted: December 25th, 2009 | Author: doug | Filed under: PhotographyHappy Holidays!
Tags: Ana Beatriz Barros, Ellen von Unwerth, Fashion, Portraits, Women | 1 Comment »
Happy Holidays!
Martine Franck, Cartier-Bresson’s widow, accompanied her husband to just one — probably atypical — portrait session, that of the poet Ezra Pound in Venice in 1971, a year before his death at 87.
There was a tremendous, heavy silence,’ recalled Ms. Franck, herself a photographer. ‘Pound didn’t say a word. He just seemed to condemn the world with his eyes. We were there for about 20 minutes. I stayed to one side. I huddled in a corner. Henri took seven pictures.’
- From This Decisive Moment On by Alan Riding in The New York Times, January 26, 2006
Either move or be moved.
-Ezra Pound
And New York is the most beautiful city in the world? It is not far from it. No urban night is like the night there… Squares after squares of flame, set up and cut into the aether. Here is our poetry, for we have pulled down the stars to our will.
-Ezra Pound
Nothing written for pay is worth printing. Only what has been written against the market.
-Ezra Pound
Shot with a Leica M6 TTL, 35mm Summicron, Mamiya 67 Pro II, Agfa APX 400 and Fuji NPZ 800.

Cheryl, Pepperdine, Malibu © Doug Kim

Cheryl, Downtown Los Angeles © Doug Kim

Cheryl, Downtown Los Angeles © Doug Kim

Cheryl, Downtown Los Angeles © Doug Kim

Cheryl & Perry, Downtown Los Angeles © Doug Kim
This was an impromptu snowball fight in Times Square around 1AM in the midst of the blizzard Saturday night. The real danger wasn’t the snow and subsequent moisture destroying my gear. No, the real danger was shooting the mayhem with a wide lens which meant that I was a prime target. I had to put the gear down several times for some payback.
Note: due to demand, prints can be purchased now at SmugMug. For higher end archival prints, please email me directly. Happy holidays everyone!
At Walker’s Tavern:

Kahi Lee, Leica M6 TTL, Kodak Tri-X © Doug Kim

Kahi Lee, Leica M6 TTL, Kodak Tri-X © Doug Kim
One of my favorite single series is Daido Moriyama’s book of wanderings in the Shinjuku neighborhood of Tokyo. Viewing his fractured, scattered, shattered images is to embark on a journey as a furtive outsider, stalking the streets, seeking prey in alleys, noodle shops and sex bars.

Shinjuku, Daido Moriyama
As long as I can walk, I will continue wandering the streets.
-Daido Moriyama
I want to express the realness of Japan. I want to show what is really going on.
-Daido Moriyama

Shinjuku, Daido Moriyama
I’m not always a stray dog. Sometimes I’m a cat or an insect.
-Daido Moriyama

The cover of the limited signed edition of Shinjuku, Daido Moriyama
The streets are my territory and I still wander them aimlessly with my camera.
-Daido Moriyama
Magnum Photos has been releasing some images online from their singular historic archives which is an incredible opportunity to study and learn from the masters in their catalog. These images by Henri Cartier-Bresson, some of which have not been widely published, provide a rich insight into his style and process.
I am in awe of him, I am in absolute awe of him. Everyone is a Cartier-Bresson baby…I worship him.
-Richard Avedon.
Nothing worth knowing can be taught.
-Henri Cartier-Bresson
You mustn’t want, you must be receptive. Don’t think even. The brain’s a bit dangerous.
-Henri Cartier-Bresson
I don’t consider myself a photographer, I am using a camera, but there are millions of photographers….I’m just a human being. Anyone that is sensitive is an artist.
-Henri Cartier-Bresson

NEW YORK CITY—A football game at Yankee Stadium in the Bronx, 1947. © Henri Cartier-Bresson / Magnum Photos
Photography is nothing–it’s life that interests me.
- Henri Cartier-Bresson
They . . . asked me:
‘How do you make your pictures?’ I was puzzled . . .
I said, ‘I don’t know, it’s not important.’
-Henri Cartier-Bresson

VILLAGE OF BRANGUES, France—French writer and diplomat Paul Claudel, 1945. © Henri Cartier-Bresson / Magnum Photos
In a portrait, I’m looking for the silence in somebody.
-Henri Cartier-Bresson

AHMEDABAD, GUJARAT, India—The Rangwala retail and wholesale cloth market, 1966. © Henri Cartier-Bresson / Magnum Photos
Actually, I’m not all that interested in the subject of photography. Once the picture is in the box, I’m not all that interested in what happens next. Hunters, after all, aren’t cooks.
-Henri Cartier-Bresson
And no photographs taken with the aid of flash light, either, if only out of respect for the actual light – even when there isn’t any of it.
-Henri Cartier-Bresson – “The Decisive Moment”
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
-Henri Cartier-Bresson
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