This is one of those shots that when I saw the proof sheet, it was exactly how I visualized the image when i took it on the street. Film’s delayed visual response means continual surprises, good and bad, which is such a vital part of the process.
Cartier-Bresson said that his proof sheets contain such garbage that he would not show them to anyone. Ansel Adams would speak of finishing the day’s work, carrying his gear back to his car on a four hour hike, wondering if he managed to get anything.
It is an image that does not get a very big response from people that have seen it, yet it remains a favorite.